1984
sepia ink, pencil, on masonite on found folding chair
34 1/2 x 18 1/2 x 20 3/4 inches
Southern pronunciation of this and all 3-D artifacts.
1984
sepia ink, pencil, on masonite on found folding chair
34 1/2 x 18 1/2 x 20 3/4 inches
Southern pronunciation of this and all 3-D artifacts.
1984
perforated steel, plugs, steel, wood, fiberglass
29 x 16 x 4 feet
originally installed in Bryant Park, New York, NY
created for the Public Art Fund
A paradoxical work, containing contemporary and historical references to literature, art, and myth. The monumental work portrays a seated woman, face partially obscured by upraised arm, body bent forward. The image is taken from an engraving found in Gustave Dore’s illustrated version of Dante’s Divine Comedy. Constructed as a double silhouette, the figure’s details are ‘drawn’ through the use of steel plugs, which fit into the 1/2″ apertures of the work’s perforated steel surface. Visible through the cage-like enclosure formed by the silhouettes is a full, three-dimensional, skeletal rendition of the figure.
1983
Polaroid® study
1983
Polaroid® study
1982
steel, cotton batting, cotton
42 x 37 x 69 inches
Piece created after receiving the dossier of Father Gheorghi Calciu-Dumitreasa from Amensty International for the exhibition, “Prisoners of Consciousness.”
Nicolae Ceausescu was the dictator in Romania who allowed the imprisonment and torture of Father Gheorghe Calciu-Dumitreasa, an anti-communist Romanian Orthodox priest who served 21 years in prison. He died in 2006.
1982
encaustic on canvas
154 x 132 inches